Captain Jack "Mary Sue" Sparrow?
The Mary Sue question is an interesting one.
jenthegypsy, new to fanfic (what an adventure lies ahead!!), was asking me what a Mary Sue is, and, coincidentally, a member of
little_details asked about the origin of the term. The term apparently dates back to a fanfic story in the Star Trek: The Original Series fandom, which actually had an OFC named Mary Sue. However, this site referenced in a comment in the
little_details post has this to say...
and that...
By this definition, most any major canon character would be a Mary Sue, not just original characters. Think about it. Harry Potter? Frodo or Aragorn? And, most especially Jack Sparrow, and all the main characters of Pirates of the Caribbean.
Another referenced article in the
little_details post has this to say about Mary Sue's characteristics...
Now replace "she" with "he", and you've got Jack Sparrow all over.
You could make a case that any main character in any story is a Mary Sue, unless he or she is a true antihero, with characteristics and adventures that serve as dire warnings rather than desirable examples. And who wants to read that, at least most of the time?
It doesn't seem to me that it's possible to write any character and fail to project one's experiences and philosophies through that character, canon or otherwise. And I don't think I am alone in wanting to read stories that are uplifting, and about people who are extraordinary, in one way or another. So it seems to me we're destined to be inundated with Mary Sues, as we have been since people started telling stories.
She (or he) is created to serve one purpose: wish fulfilment. When a writer invents someone through whom he/she can have fantastic adventures and meet famous people (fictional or real), this character is a Mary Sue. (We don't have a name for the male version -- suggestions?
and that...
storytellers have been rehashing Mary Sue since the dawn of time....
By this definition, most any major canon character would be a Mary Sue, not just original characters. Think about it. Harry Potter? Frodo or Aragorn? And, most especially Jack Sparrow, and all the main characters of Pirates of the Caribbean.
Another referenced article in the
She has better hair, better clothes, better weapons, better brains, better sex, and better karma than anyone else. Even next to the strong and interesting heroines of twentieth-century media and fiction, she stands out. She is singular; she is impossible to ignore.
Now replace "she" with "he", and you've got Jack Sparrow all over.
You could make a case that any main character in any story is a Mary Sue, unless he or she is a true antihero, with characteristics and adventures that serve as dire warnings rather than desirable examples. And who wants to read that, at least most of the time?
It doesn't seem to me that it's possible to write any character and fail to project one's experiences and philosophies through that character, canon or otherwise. And I don't think I am alone in wanting to read stories that are uplifting, and about people who are extraordinary, in one way or another. So it seems to me we're destined to be inundated with Mary Sues, as we have been since people started telling stories.
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Odysseus? Mary Sue for all who ever dreamed of adventures.
Juliet AND Romeo? Mary Sues for anyone who crushed on someone their parents disapproved of.
HOWEVER. The problem with Bad Fanfic Mary Sue is that she's unflawed. Captain Jack Sparrow is extraordinary, to be sure. But he's hardly what you'd call flawless. Projecting one's experiences isn't what makes a character a Mary Sue in the traditional sense. It's actually that the Mary Sue is so very perfect that the reader cannot honestly identify with the character, without resort to egomania or immaturity.
Ted & Terry and Johnny, created in Jack Sparrow someone we love to identify with. But we also see that we might fall into some of the same pitfalls that lead Jack into more pain to himself than strictly necessary. Such as a short drop and a sudden stop.
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Ah! But as
I agree with
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*does a double take*
*reads own post*
Oooh. I remember... *looks sheepish*
Very thought provoking post here, though - and all the replies :)
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See what I think has happened is that, over the decades, the definition of MS has expanded so far beyond the original that there are some who say ANY OC is a Mary Sue. But I'm remembering back when it pretty much started, in the Trek fandom ("Yeoman Mary Sue"), after the first series ended & before the first movie was even in the works. That's where I first heard the term, and it was much more specific than it is now. It's way overused these days, imo.
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Traditionally, "Gary Stu."
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I wouldn't worry about it. v.v
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Yes, I find the idea of Elizabeth being a Mary Sue outrageous, and yet I've heard it said several times in the last year.
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For example. Using an actual MS I once met in a fic. If the Hogwarts students are tormenting or being hostile to the MS and Dumbledore steps in to defend her.
This changes and mutates canon to make the MS character "special." Because how many times has Dumbledore left Harry (the feature character of the books) to deal with his torment alone. Heck, just read Chamber of Secrets and you'll understand that Dumbledore isn't about to step in like that for anyone.
Or the Mary Sues who become a 10th walker in Lord of the Rings. That's a basic canon fact that's actually referenced as being important in the book at least once (9 walkers against 9 nazgul).
That is the easiest way to tell if a character is just an OC (who is used to enhance the story and can be quite useful) or a MS (which undermines the very basics of canon and is actually detrimental to the plot).
And canon characters can be turned into sues as well. Any massive, inadequately explained change to a canon character makes them a Mary Sue. Yeah, I've read fics that were set in the future and where the canon characters were very different from how they are in the books. But backstory generally adequately covers that. I'm talking the characters who overnight become an almost completely different person, with no more explanation than...they felt like it...or something like that. Those characters are actually Sues, they just take on the name of a canon character to disguise the fact.
And if you think about it. Almost every other definition you see out there, fits under this one in some way.
Canon characters can be Mary Sues from their beginnings (Hermione has often been IDed as one and several of the characters in Clive Cussler's novels are Sues/Stus as well), but since they're part of the canon, they're acceptable.
The fact is, if you take the time to create your own canon, you can put any character you want into it. But if you're playing with someone else's canon, you'd better make your characters fit.
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I think you're right, as readers of fanfiction are THERE because of the canon characters, and an OC should enhance their story, not take the focus away from them.
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Did you read the link
It's a shame if the debate about Mary Sues makes writers hesitate to post their work, though, or if the term Mary Sue is being used for OFCs in general.
I think writers hesitate to even write them into stories a lot of times, and that's a shame because an OC can really enhance a story. One of my favorite parts of
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I think the saddest thing about the Mary Sue debate generally is that it has put some people off creating OCs for use in fanfic, and that others will denounce any OC as a Mary Sue automatically. Neither is a Good Thing.
As a footnote, I'd add that I don't think Jack's a Mary Sue, even by the "Perfectly Flawed" criteria. I'd say he's far from perfectly flawed, and far from perfect - though he is utterly fascinating. His flaws are real ones - he's selfish, greedy, lustful, and prepared to mess with other people for his own benefit. On the other hand he can be generous and he does have his own set of (equally flawed) morals. He's larger than life, so not exactly realistic - but I wouldn't call him a Mary Sue (any more than I would any of the other characters in PotC).
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...better hair, better clothes, better weapons, better brains, better sex, and better karma than anyone else... [He] stands out... is singular... is impossible to ignore
--made me think of him. As I said, the definition has expanded far beyond the badly written OFC.
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Besides, Jack has flaws. He's made stupid mistakes (ie, trusting Barbossa), he's grown as a result. He also doesn't trust anymore as a result. He's quite believable in that, which is a key concept in creating a real character as opposed to a Mary Sue.
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And I'm with you about good stories and good OC's that fit in.
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One hint (though not in itself enough to deem a character a Mary Sue) is that the rules of the universe written is broken for her/him. An example of this is LM Montgomery's Emily books. They are set in a realistic, early 20th century Canadian environment. Yet the heroine foretells the future - a gift that does not fit into the described universe. She also has "purplish-grey" eyes, which, again, is something that doesn't fit the setting.
Now, Emily still has enough good and credible character traits to perhaps escape the Mary Sue fold. But there's no doubt in my mind that she would have been a better character if the author hadn't gone against the rules of her own universe to make the character "special".
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I think most main characters in original works are Mary Sues by definition.
Cinderella, Sleeping Beauty, Snow White. They're stupendous Mary Sues but their stories are greater than they are even if they are the 'center of it all' or 'the star of the show'.
Satine in Moulin Rouge has to be a Mary Sue. Despite that she's a harlot and well into using her body to attract financiers to the theater... women want to be her, and men wish they had her. Yes she is tragically ill. But by what's been said about Mary Suedom in the ficworld, that just adds to her 'charm' and makes loving her all the more wonderful.
I think it's terribly limiting to worry about writing Mary Sues. I think the story told is more important than one's fixation on whether or not the author is using a character to "live through". I think the quality of the written work is more important than any sword-wielding, emerald-eyed vixen could ever be. If the writing is bad, it's bad. It's noticeable. I stop reading and go my merry way if it doesn't hold my attention.