DMC Reviews
Jul. 8th, 2006 11:35 amI must say, it might be helpful to the movie-going public to have a reviewer that actually likes summer action/adventure popcorn-munchers review movies like Dead Man's Chest. I just read the very negative review written by Mick LaSalle for the San Francisco Chronicle, which, juxtaposed with the positive and very even-handed review by the Yahoo Movie Mom, makes me wonder if they watched the same movie.
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Date: 2006-07-12 12:15 am (UTC)Part of the problem with some of the reviewers I've read was that so many of the jokes in the movie were so inside. If a reviewer hadn't seen the original movie since 2003, how were they going to remember why it's a scream that Jack shoots the monkey all the time, that Giselle sends a slap to Jack via Will, that the rum is always gone and must be hidden around Elizabeth, that Jack burns the rum, that Jack is still rooting for Norrington, and that Jack hits Will over the head with an oar, to name a few. And how are they to remember why there is so much poignancy in the threat of mutiny, in the sight of that red-hot letter P and Jack's hand going to his arm and his wince when Elizabeth mentions Beckett, in the look on Jack's face when he says "It's only a ship" and then turns to her like a man to his dying lover, to name a few more. One reviewer complained about all the spare characters with little bit parts that meant nothing--by which they meant Governor Swann and Giselle and the dog and so on. This was a sequel people. Not a stand alone movie. And PotC has always been about the people--as Gore said, the things people respond to in PotC could be filmed with a set of lights and a camera in the trunk of a car. The people who didn't care about the characters in this one didn't care about them in the last one.
I actually think the scope for fanfic will remain just as great with PotC2 because of the nature of the story. Ted and Terry love dumping hints of stories into their script and not explaining them--Jack's relationship with Bootstrap, Jack's adventure in the Turkish prison, Davy Jones' backstory with Jack and with his beloved, Jack's backstory with the Pearl, Ragetti's perversely educated illiteracy, Jack's relationship with the Pelagostos, Jack's relationship with Tia Dalma, Jack's relationship with Giselle, Barbossa's relationship with Jack, Barbossa's relationship with Tia Dalma, Davy Jones' relationship with Tia Dalma, Will's time on the Flying Dutchman, Norrington's pursuit of Jack into the teeth of a hurricane, Norrington's resignation of his commission, what happened to Governor Swann, Jack's interaction with Beckett--I think I'd better stop here, but I could keep going. What other movie opens so many possibilities?
I loved the increasing complication of all these characters and their relationships. I'm fascinated by Bootstrap and Will and I want to see more of Bootstrap and Jack. And Jack and Elizabeth are dynamite, or possibly nitroglycerin, together in this. I think those of you who write posthumous-Will J/E fics are certainly vindicated that that is within canon. I really can't wait to see how the next movie sorts things out.
Oh I want a DVD! All this talk makes me want to go see it again!
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Date: 2006-07-12 12:25 am (UTC)Two things: 1) so sorry I have not yet replied to your wonderfully detailed feedback on Dark of the Moon -- have been meaning to do so for days and days, but have not due to Scattered Brain Syndrome. Soon, though. And 2) 17? < puppydogeyes >.
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Date: 2006-07-12 12:30 am (UTC)I'm glad you've enjoyed the feedback on DotM. I don't worry too much about responses. After all, you beta my work! Speaking of which, I have the worst case of writer's block on 17. I keep trying to finish it, but I am not at all happy with it yet. It moves like a spavined mule and I need it to gallop.
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Date: 2006-07-12 12:35 am (UTC)no subject
Date: 2006-07-12 12:45 am (UTC)